![]() ![]() We set a plan where they were relative to King William Island, where they got stuck in the ice and so on,” McKinstry said. “We wanted to set up geography and make sure that when we shot one scene on one boat, people were looking off the right side of the ship to where the other ship was. Switching between the two gave clarity to the story. ![]() On a dedicated stage, production designer Jonathan McKinstry helped create one boat set that could be used as the Terror or the Erebus, whichever the shooting day called for. With two ships, “The Terror” team devised a system that could handle both at once. ![]()
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