The flood softened the doorways and the foundation, and before we could turn around, we were afloat in the living room. This was the palace of the universe and the window of the soul looked out and in.* Anyway, I dug out a shallow place and a sentence kept going around in my head. There was a parking lot, and I looked out on it from the third floor of 2955 Falconer Street, apartment 16. Is that front yard a graph, a palimpsest? Every thought, every future move, prefigured in that front yard. It was my childhood front yard, but it can’t have been. Because that’s the bullshit they have going on. Then there’s a whole hypocritical blah blah blah and then it dies down. Some days they just follow so you see that they’re there. They’re fuckers and they can fuck you up. Some days the cops stop you and ask for identification.
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Renuka Ekanayake, Director, SAARC Cultural Centre called on H.E Major General (R) Umar Farooq Burki HI (M) High Commissioner of Pakistan to Sri Lanka on 9th May 2023. Director, SCC visits to Pakistan High Commission.During the meeting, both sides discussed various cultural activities that can be collaborated for the promotion of peace and harmony in the SAARC region. Renuka Ekanayake, Director, SAARC Cultural Centre (SCC), Colombo paid a courtesy call on the High Commissioner of India to Sri Lanka H.E Gopal Bagley. Courtesy call to High Commission of India.Bashu Dev Mishra and discussed possible collaborations for upcoming cultural events. Renuka Ekanayake, Director, SAARC Cultural Centre paid a courtesy call on the Ambassador of Nepal, Mr. His Excellency has extended his full support for any During the meeting, both sides discussed at length about the possibilities of collaborative works that can be done in near future. Courtesy visit to the High Commissioner of Bangladeshĭirector, SAARC Cultural Centre Ms Renuka Ekanayake paid a courtesy visit to the High Commissioner of Bangladesh to Sri Lanka, H.E Tariq Md. Intruder in the Dust, though not a major work of his by any stretch, is probably the second easiest of the Faulkner I've read, but it takes some dedication to get through because Faulkner keeps defying the mystery novel tropes you're used to running into. Of his major works, As I Lay Dying is by far the easiest to read. Check out /r/AskLiteraryStudies if you have questions about literature and literary studies that you'd like answered by experts! All are welcome.Spoilers must be marked by an alert and obscured with Reddit editor's spoiler masking system. Please do not seek feedback or instruction on your writing.ĭo not submit videos vaguely related to literature. This includes written work, social media, medium, youtube, apps, or any other material. This includes posting surveys.ĭo not submit any form of advertising or self-promotion. Content: Do not submit posts that contain questions and no other content.ĭo not request help on homework assignments (students) or curriculum content (teachers). Analysis: Submissions must include poster's own analysis in either the body or the comments of a post. Relevance: Submissions must relate to literature, literary criticism, literary history, literary theory, or literary news. We are not /r/books: please do not use this sub to seek book recommendations or homework help. Discussions of literary criticism, literary history, literary theory, and critical theory are also welcome. Welcome to /r/literature, a community for deeper discussions of plays, poetry, short stories, and novels. Order may come in multiple shipments, however you will only be charged a flat fee.Ģ-10 days after all items have arrived in the warehouse Items in order will be sent as soon as they arrive in the warehouse. The wrong choice puts her very life in danger. Beth assures Chloe that her way is the only way that will work, which leaves Chloe to decide whether to trust the experts, or the sister she barely knows. Her approach is so aggressive that everyone from Chloe's security specialist to the police detective insists that she is doing more harm than good. The one ally Chloe has in her own family is her half-sister, Beth, a public prosecutor intent on bringing Chris to justice. He refuses to cooperate with Chloe's security team and even gives the police a hard time when they try to investigate. When Chloe gets word of a string of crimes that might be tied to her brother, she finds she has yet another enemy: their father, Dr. This is not a situation that she wants splashed all over the headlines, especially because this could incite her brother to try to finish the job. Her brother, Chris, is being paroled from prison, where he has been serving time for shooting and nearly killing Chloe when she was a child. As bad as that is, it's about to get a whole lot worse. Jealous and nosy fans heckle her in public and the tabloids portray her as cold, arrogant, and unworthy of her husband. Chloe never set out to be famous, but her marriage to Hollywood A-lister, Jason Vanderholt, made her a celebrity by association. At some level, whilst appearing insensible of his surroundings, Vorbis has heard Brutha speaking to the tortoise and fears how a new prophet might affect the structure he works to maintain. Vorbis does not believe in Om so much as he believes in the whole structure of the church and the hierarchy that sustains it. I think Vorbis smashed the turtle because it was a symbol of what he feared. I’d really like to know if anyone else saw that differently, because I’ve just never really understood why Vorbis brained Brutha with a rock instead of ordering him around like in Ephebe plus I could be missing something really obvious. So I’m wondering if Vorbis was mostly awake and aware of everything, saw Brutha talk to a tortoise for a long time, and assumed the tortoise was a random small god trying to convert Brutha. While I know Vorbis is on a weird spectrum of psychotic, I wouldn’t think he’d make such an effort to kill a random turtle unless it was important. When Vorbis finally moves on his own, the first things he does is bash Brutha with a rock and smash a turtle. I think Small Gods might be one of my favorite Discworld books to date, but there’s one part I was never sure about when Brutha was carrying Vorbis and Om through the desert towards Omnia. Hello, first time posting and big fan of this thread and all the discussions here. In East Coker one is confronted with this challenge. One can become so immersed in researching the derivation of the material that a preoccupation with the sources can obfuscate the poet's primary purpose - the poem as a holistic form, not a series of obscure references. It is all-too-easy when studying the Four Quartets to become diverted by the range of erudite references which Eliot uses. Account is taken of how Eliot's use of cyclical images, and the language he uses to create them, impacts on the reader's perception of the division and unity between the physical and spiritual dimensions of human existence. As well as the linguistic aspects of Eliot's poem I shall be referring to the reader-response theory of Wolfgang Iser to demonstrate how the symbols used to convey the cyclic repetitive patterns of being are as much the fruit of the reader's interpretation as they are of the poet's intent. Eliot (1888 - 1965) employs the medium of language to parallel and reflect his perception of the cyclical and repetitive patterns of the life and death process. In this discussion I shall be examining Eliot's use of a range of linguistic devices in East Coker. Is an open field, or a factory, or a by-pass. Houses rise and fall, crumble, are extended,Īre removed, destroyed, restored, or in their place English Literature Essays T S Eliot: Four Quartets My memories of the books read to me as a child are vague at best. If we are lucky, we will get Youngna back sometime in the future for a discussion of parenting narratives. So, I am very pleased to say that I put aside my preconceptions and we talked about children's books. However, when we spoke, I realized that as much as I love a good discussion about fiction and fiction writers, a discussion with Youngna about children’s books and parenting narratives would be a unique and very special opportunity. My immediate reaction was to try to steer Youngna towards a discussion of fiction. When Youngna and I emailed about what she might like to discuss, she said that there were three categories of books she most often reads, fiction, parenting and motherhood books, and children's books. Youngna speaks regularly about building digital products, product management, designing for children, and building a company with a diverse team.īoth Melanie and Eden, who worked with Youngna at Tinybop, suggested I speak with Youngna on the podcast. Previously, Youngna was COO and Head of Product at Tinybop, and Youngna has also been a digital producer and a filmmaker. Younga is the Executive Director of Parenting at The New York Times, and is currently leading a team at the Times building a new parenting product. “In Pinpoint, Greg Milner gives us a much-needed account of GPS, its history, philosophy, and the overwhelming consequences of its success. “Milner's detailed examples will leave you questioning the ways in which GPS has infiltrated our lives.” “Fascinating.Milner expertly deconstructs the implications of this monumental shift in human life.” “A compelling exploration of how GPS became so ubiquitous―and what we lose when it’s all we know of navigation.” “ compelling exploration of how GPS became so ubiquitous―and what we lose when it's all we know of navigation.” “ delves deep into the dense web of intersections between GPS―'the world’s only free utility'―and all those other utilities we vitally depend on, with interesting side excursions into earthquake-detection and the GPS-assisted monitoring of offenders.” “Gripping.GPS is an engineering marvel, a global utility and a source of new threat all at once.” Richard Rhodes, Pulitzer Prize–winning author of Energy Here at last is the amazing and well-told story of where it came from, how it works, and where it―and we―are going.” For, fiction, speaking in the vernacular of freedom, has the ability, by revealing what we “threaten to become,” to transform the stories that govern our world. In Doctorow ‘s view, only literature can offer us a way out of the tyranny of this rationality. Doctorow, there is no genuine difference between fact and fiction: “there is only narrative.” He believes that “the regime of facts,” the epistemological dominant of the world we live in, “derives its strength from what we are supposed to be.” In this sense, our microcosm does not merely revolve around the scientific dogma of its own infallibility, but the ruling scientific discourse defines us in our very beings and demarcates our agentic horizons. His MA dissertation by using Patricia Waugh’s definition of historiographic metafiction read Thomas Pynchon’s Gravity’s Rainbow and Against the Day as fiction that is not only conscious of its constructed nature but which aims to uncover the fictionality of our own world. In 2018 he obtained an MA degree in English Literature from the University of Bristol. His research interests are related to postmodernist and contemporary US fiction. Gergely Vörös is a postgraduate student at Comenius University in Bratislava. " Ragtime as “False Document”: Narratives and a Constructed world in E. After Charlie undergoes the surgery that is supposed to “cure” him, his writing rapidly becomes more complex and almost hyper-intelligent. Yet that doesn’t stop us from getting a sense of Charlie as a character. His writing isn’t just childish it is painfully under-developed. When the book begins, Charlie cannot spell or form proper sentences. But Moon and Keyes take subtly different approaches to these issues.įlowers for Algernon is entirely narrated by Charlie Gordon through an epistolary device that allows Keyes to chart Charlie’s mental development throughout the story. Both involve the augmentation or enhancement of the brain of someone with a disability and then allow the reader to observe how this affects the protagonist’s outlook on life and the way people in his life change in their treatment of him. Unlike many others, I read The Speed of Dark long before Flowers for Algernon, which is generally the book people compare The Speed of Dark to. On the surface this is a simple book with a straightforward story, but there is so much going on here that it’s well worth studying, in school or independently. This dichotomy is indubitably subjective in my case, I consider Flowers for Algernon a member of the former category. As I continue my odyssey of Reading Things People Read in High School That I, For Some Reason, Did Not Read, I ponder why some classics are obviously classics and others inscrutably so. |